These works operate on the scale of a situation rather than a room. They activate space through shifts in position, time and perception. Meaning arises in the relation between the viewer, the spatial setting and the photographic trace of another moment. These micro‑installations do not function as objects or images, but as spatial situations in which presence is split, doubled or redirected.
A photograph of an earlier moment is fixed onto the mirror. The space repeats itself at another time, producing a doubled condition where temporal and spatial layers intersect.
'View', situational work, 2009
photographic trace, mirror, spatial setting
Personal Space Art Project →
Hair, self portrait, 2009
The photo functions as an image-object within the Personal Space Art Projects. Originally taken by my young child in the bathroom after showering, it is rooted in a specific spatial and bodily situation. The image has been used in multiple interventions and installations, operating as a situational element rather than a standalone photograph.
Nadir, 2014
A temporary work formed from the traces and materials left after dismantling Move.
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Moments (3), 2014
Three situations in which a minimal action activates a moment. Comprising situations from 2013–2014
The Art Room (Tilburg, 2014)
Waiting for the Light | Bending the Actual (France, 2013–2014)
The Expectation (France, 2013)
The Art Room, 2014
The Address, 2015
Sculptural photo installation
Photograph / wooden table base / glass panels.
Photo: Xiamen, 2014
Image: 'Photo Cutout' of situation during installation '40 Titles II', 2015.
→ The Address
Table Puzzle | Black - White, 2009
situational work
photographic trace, mirrored table arrangement, spatial setting
A situation exists only within the image: two mirrored table arrangements, a shared granular structure between puzzle pieces and surface, and a tonal shift that produces a doubled spatial condition.